Colorful Images on Rear Panel (Truck Art) Truck Art in South Asia

Authors

  • Alina Ansari Leturer, Department of Art & Design, The Women University Multan
  • Muhammad Saqib Nawaz Risk Management Officer, Allied Bank Limited

Keywords:

Truck Art, Folklore, Floral Patterns, Religious Symbols, Heritage, Cultural Identity

Abstract

Truck art in Pakistᾱn is a vibrant and unique form of folk art that transforms ordinary trucks into moving canvases of cultural expression. This art form is deeply rooted in the country's traditions and aesthetics. Trucks are adorned with intricate paintings, calligraphy, and elaborate designs that often include floral patterns, animals, landscapes, and religious symbols. The main purpose of truck art in Pakistᾱn is to transform commercial vehicles into vibrant, personalized works of art that express cultural identity, personal beliefs, and regional pride. This artistic tradition not only enhances the aesthetic appeal of the trucks but also serves as a medium for storytelling and self-expression for the drivers and owners. Each truck tells a story, reflecting the personal tastes, beliefs, and regional identity of its owner. The vivid colors and detailed artwork are not only a means of personal expression but also a source of pride for drivers, who view their trucks as mobile works of art. The art serves as a visual representation of Pakistᾱn's diverse culture, blending influences from Mughal art, Sufi traditions, and local folklore. Truck art has gained international recognition for its distinctive style, symbolizing the resilience and creativity of the Pakistᾱni people. Beyond its aesthetic appeal, it also provides livelihoods to numerous artists and craftsmen, making it an integral part of the country's cultural and economic fabric. This tradition, while evolving, remains a significant aspect of Pakistᾱn's artistic heritage.

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Published

2024-06-30

How to Cite

Ansari, A., & Muhammad Saqib Nawaz. (2024). Colorful Images on Rear Panel (Truck Art) Truck Art in South Asia . Journal of Arts and Linguistics Studies, 2(2), 1127–1142. Retrieved from http://jals.miard.org/index.php/jals/article/view/148