Adaptation as Transposition: An Analysis of Text-Screen Structures of Control in Stephen King’s The Stand (1990/2020)

Abstract

This research paper deals with the analysis of the selected text The Stand (The Complete & Uncut Edition) published in 1990 by Stephen King and its adaptation (mini television series) with the same title developed by Josh Boone and Benjamin Cavell in 2020. The adaptation (television series 2020) as a transposition represent the critique of capitalism and a consumer culture along with the themes of illusion and reality. This study also highlights the role of adaptation as an intertextual entity in the technological world of control. The study of both text and its adaptation (television series) is quite significant as it strengthens the importance of the contribution of signs, symbols and images through video adaptations. The study is qualitative in nature and it highlights the implicit and explicit structures of power and control through theoretical insights of the Linda Hutcheon (2006) and Jean Baudrillard (1968-81). The study is also helpful in providing quality education and inclusive learning which is SDG# 4 by promoting critical thinking which helps the individuals to form better understanding of the society.